Monday, November 14, 2016

Traditional Drawing Collection

A lot of these are older pencil drawings from past classes. I figured I'd post as many of my favorites as an call back to the classes I have taken to graduate.


Life Drawing from reference picture online

Life Drawing

Advanced Drawing

Advanced Drawing

Advanced Drawing

Drawing Studio ~ Mask project and Self Portrait

Drawing Studio ~ Nymphs 

Drawing Studio ~ The Hill

Advanced Drawing

Never turned in for a class but Drew this character in College. 
Advanced Drawing

Drawing Studio ~ Abstract Mask sketch

Saturday, April 23, 2016

NCECA 2016 Experience (First time!)

Since this year's national clay conference was right at my back door this year, it was silly if I didn't go! NCECA was in Kansas City for 2016 at the huge and ever impressive convention center.
















Art show and sale Sculpture pieces (Art Show 2016 NWMSU Clay Club)

This is my art show and sale contribution apart from my functional thrown pieces My slip trailed pieces are glazes and displayed on black shelving units. 

"Melting landscapes of Ast"

Full side by the window of shelving

whole cube shot
"Fallen tree"


2015/ 2016 Ceramics

Ceramics pieces that I sold in the end of the semester art sale. (So glad I had a feeling to photograph my pieces before the sale so I have more documentation of what I sold as well as what I can do to make more!)

Cone 6 stoneware with tenmoku glaze re-fired in soda kiln

Cone 6 Stoneware with black slip and clear glaze liner

Cone 6 stoneware with tenmoku glaze re-fired in soda kiln

Cone 6 stoneware with tenmoku glaze re-fired in soda kiln

Tuesday, February 9, 2016

Creating Slip for my Slip Trailing Sculptures

The process for creating the slip "powder" I use for all of my slip trailing and/ or slipping and scoring is made after crushing and destroying the lessor greenware (un-fired) pieces that never made the cut. 



These are the pieces I create with the slip squeezed threw a hair dye applicator onto a plaster bat.


Breaking apart big pieces of un-fired clay pieces with a large wooden pestle.  



Still breaking the pieces!

Crushing away!

I used to use the Mortar piece that went with the wooden pestle, though I had so much to crush it wouldn't fit so I learned that just rolling the pestle against the table crushed the clay chunks even faster! Yay, learning!

After crushed, the powder gets put through a rusty yet still fine sieve. 


At the fine powder stage, I would normally add it to water but here I am saving it in a large poring plastic tub for later!

The fine powder is later added to water and sieved a second time to make certain that all of the larger chunks of clay are eliminated so the slip can be squeezed out of a tiny hole! I have also added different oxides and tones to color the slip for later work!


Monday, January 25, 2016

Sketch of My World (Altel / Ast)

My current work for my Student Thesis show was born from a couple of sketches I drew for my story I have been working most of my life. The world I have created is called Astel. If you have seen my hobby blog, it is named Astelian Studio. Yep, same world. These sketches are from a different part of Astel named Ast. The Utopian/ sanctuary that most of these Deities I have created reside.Think of Astel like Earth and Ast is Heaven, a different plane of existence from the "real world" of Astel.

This is the first vision I drew for the Kingdom of Ast. Like a regular world there is a sun and a moon. These orbs of power are held by the Deities which they are named for. The Sun God near the front is melting while holding the sun in his horns. I found it strangely ironic that these all powerful beings would inevitably end from the task given them.

The sun god wasn't fitting what I had originally planned. He seemed rather weak compared to the other strong and daring gods I have learned in true religion. Thus, the new god was born from the old. I assumed in this universe that his joints would melt and break under the pressure and heat of the sun. He gained a mask like feature to fit in with my Depression Mask Watercolor Series from earlier.

The Moon Goddess got a face lift as well. Before she was clothed and now she is taller and older looking, to match the sun god. I modeled her body from one of my Ball Jointed Dolls. I entertained the idea that the only organic feature about her would be her ever melting hair. She doesn't have a mask feature like the sun god has, but she does have a wonderful head dress that represents and holds the moon behind her head.


Most stories and images of "Heaven" Come with their own Angels. This is my version and in my clay studies, I created a plethora of melted angel wings that seem to have been frozen in time. This is what the Angel would have looked like. They serve as sentries and report back the the duo of higher Deities that are the Sun and the Moon. Mostly represented as female to imitate the Moon Goddess, these Angels see all from their perches.

In the Utopia of Ast, there must be balance. Angels can not exist without Demons. These male figures report solely to the Sun god and keep the Angels in check. Some of the Angels have been known to go rouge and try to overthrow the existing deities to take their place. I think of these Demons as knights or soldiers.

For my student show and a project for my Ceramic Studio class, I must create 3 installation pieces. Toward the end of the semester I will get to use the "Hot Boxes" which are display cases of upcoming artists work for my show. I thought and sketched different ideas and my favorite so far is to create Installation Alters for the two main Deities of the Sun and the Moon and then the third to represent the Angels and Demons.

My designs are modeled after closet alters I have seen used in other cultures. Due to lack of room for churches, some families will make an unused closet into an Alter space for a lost family member or for the Deity of their choice. With my upcoming woodworking pieces in my Advanced Sculpture class, I can create tables and shelves to place different offerings that would be seen in Astel for the Gods of Ast, bringing my world into this one and creating a finished art piece out of the instalation.

I can't wait to get started and show you all the progress!

Wednesday, January 20, 2016

Past Ceramics ~ 2012

This class back in 2012 - 2013 is what originally got me into ceramics. We learned from our teacher Laura Kukkee how to properly document and photograph our pictures for our portfolios. These photos were the fruits of my effort back then and I can not thank her enough for the knowledge and the push  in the right direction that would inevitably shape my life forever.


Wolfs Light Blue Glaze

Blue China paint wash over Stoneware plate with Clean liner glaze ontop
Japanese inspired coil pot watering can

Japanese inspired Terra Sig Coil pot

Green and Black slip over Earthen ware with clear liner

Hump mold design platter

Portland Copper red glaze with clear liner set

Portland Copper red with clear glaze Jar set